The Days of Darkrooms and Reel-to-Reel: ANALOG

The era of darkrooms and reel-to-reel recording studios is the subject of ANALOG, an exhibition at Riflemaker, 11th January - 5th March.

Left to right: Karlheinz Stockhausen in the studio; advert for Garrard record playing equipment; Richard Nicholson, Roy Bass darkroom, 2006; Richard Nicholson, Gordon Bishop Associates, 2006
The exhibition includes photographs of London darkrooms by Richard Nicholson. When Nicholson started his project in 2006 there were 214 professional darkrooms operating in London; by 2010 there were only 5. In an article in The Guardian, Nicholson describes his approach:
In keeping with the spirit of the place, I photographed it in the dark. I used a tripod, switched off the lights, opened the shutter for 60 seconds, and moved around the room with a flashgun, firing it lots of times. It's a technique that lets me bathe a scene in light. Normally, darkrooms are gloomy places.
Richard Nicholson, Roy Snell's Darkroom, 2006
The world of analogue sound recording will be represented in an installation by Kitty, Daisy and Lewis (a three-piece band influenced by R&B, swing, jump blues, country and Western, blues, Hawaiian and rock 'n' roll) who will perform at Riflemaker during the course of the exhibition as well as recording visitors.

The exhibition will also feature work by Clare Mitten (BA Fine Art Painting, University of Gloucestershire, 1998-2001): her cardboard sculptures 're-analogue' objects such as mobile 'phones and laptops.

Clare Mitten, Aztec_Topal (Red), 2010
In contrast to all the above 'analoguery', there will also be an installation by Ziegelbaum + Coelho which is described as follows: An ambitious, pulsating LED installation completes itself only when touched by the visitor, each movement modifying and transforming the work itself. The gun-testing vault at Riflemaker will house 220 luminescent pixel-tiles. Visitors to the gallery will be able to change the colours of the tiles, create a rhythmic pulse and re-arrange the overall form of the square, magnetic blocks.

Read the exhibition catalogue on-line and review by Sean O'Hagan.

Exhibition Roundup - January 2011

An occasional, and highly selective, pick of current and forthcoming exhibitions.

In his wonderfully titled biography of Joe Orton, Prick Up Your Ears, John Lahr records the doomed playwright’s excursion into ‘literary vandalism’: in the early 1960s Orton and his partner (and murderer) Kenneth Halliwell would steal books from Islington Public Library, modify the covers and illustrations, add blurbs, and smuggle them back onto the library shelves: In a critical study of the poet, a pot-bellied old man tattooed from head to toe and clothed only in a skimpy swim-suit stood stiffly beside the name ‘John Betjeman’ (above). The first volume of Emlyn Williams’ collected plays had a curious repertoire of ‘Knickers Must Fall’, ‘Up the Front’, ‘Up the Back’… ‘He Was Born Grey’…’Fucked by Monty’… In Alec Clunes’ biography his face was replaced by a skull with a hole in the cranium (above). (Lahr, John (1980) Prick Up Your Ears: The Biography of Joe Orton, Harmondsworth: Penguin, p94)

An exhibition of Orton and Halliwell’s doctored book covers together with an installation by Adam Gilliam is at Ancient & Modern from 13^th January until 16^th February. (See Joe Orton Online for more examples of Orton and Halliwell’s book covers.)

Cindy Sherman, Untitled, 2010

New work by Cindy Sherman will be at Spruth Magers from 12^th January until 19^th February. The gallery describes the work as follows: For this series Sherman has assembled a cast of uniquely individual characters on large photographic murals, marking a departure within Cindy Sherman’s artistic practice from the format of the framed photograph… The various personas animating this new body of work were created as shrines to nondescript, eccentric characters who might also be seen to denote sentries, guarding the entrance to some fabled land, casting ambiguous and disconcerting glances at the viewer. (Read more.)
Read an interview with the artist: Cindy Sherman: Me, Myself and I, by Simon Hattenstone.

Gabriel Orozco, Black Kites, 1997
Gabriel Orozco opens at Tate Modern on 19^th January and runs until 25^th April. Orozco’s most well known works demonstrate his playful and conceptual approach as well as the diversity of his practice: La DS (1993) is a Citroen DS which was sliced into 3, lengthwise, the central section removed and the remaining 2 parts joined together; Yielding Stone (1992) is a ball of plasticine which was rolled through city streets collecting debris and impressions; Black Kites (1997) is a human skull onto which Orozco has painstakingly drawn a pencilled grid; Breath on Piano (1993) is a photograph of a mist of breath on a polished surface. Read an interview with Orozco in Bomb Magazine; Adrian Searle’s review of Orozco’s 2004 Serpentine show, Peter Schjeldahl’s review of the MoMA showing which preceded the Tate show.

Gilbert & George, Embankment, 2009

White Cube’s Mason’s Yard gallery will show new work by Gilbert and George, 14^th January – 19^th February: Urethra Postcard Pictures; so called, according to the gallery blurb, because, These new pieces are united, compositionally, by their elements comprising "an angulated version of the sign of urethra". This shape - a continuous rectangle of cards, with a single card in its central space - mimics the sexual symbol used by the one time theosophist C. W. Leadbetter (1853 - 1934) to accompany his signature, and as such proposes that this group of new art works is infused with a still confrontational libertarianism. (In case you were wondering.)

Charlotte Moorman performs Nam June Paik’s Concerto for TV Cello and Videotapes, 1971

Tate Liverpool is showing the first major UK retrospective of Nam June Paik the pioneering video and multi-media artist. Read reviews by Laura Cumming and Adrian Searle.

At The New Art Gallery, Walsall, Bob and Roberta Smith has [sic] curated a show titled The Life of the Mind: Love, Sorrow and Obsession showing from 21^st January – 20^th March 2011. According to the gallery website, this has been inspired by Sir Jacob Epstein's sculpture of his then 15 year old daughter Esther in which she seems to be resisting the artist's gaze, The Life of the Mind seeks to expose the myth of the great male artist who has special insight into the minds of his more frail female subjects. The exhibition will feature a key number of powerful female artists who give form to the interior world. Each artist resists easy interpretation and in Bob's word, "sticks a sharp pair of scissors into the soft underbelly of male hegemony". The exhibition will include work by, amongst others, Louise Bourgeois, Helen Chadwick, Tracey Emin, Sir Jacob Epstein, Sarah Lucas, Annette Messager, Chris Ofili, Bob and Roberta Smith, Emma Talbot.

Finally, the major show of the new year is likely to be Modern British Sculpture at the Royal Academy, 22^nd January – 7^th April . It is claimed that the exhibition will take a 'fresh approach' to the story of British sculpture in the 20th century, replacing the traditional survey with a provocative set of juxtapositions that will challenge the viewer to make new connections and break the mould of old conceptions.
Read feature by James Hall, review by Adrian Searle, and see slide show of exhibits.

Barbara Hepworth, Pelagos, 1946

Many of the exhibitions listed in the December Roundup will run through January - see below, for details.

Don Van Vliet, 1941 - 2010

Don Van Vliet (Captain Beefheart) died on 17th December, 2010.

Captain Beefheart, Mojave Desert, 1980; photograph by Anton Corbijn.
Musician and painter, Van Vliet was a true artist: original, eccentric and uncompromising. With The Magic Band he produced a series of extraordinary albums, including what is widely regarded as his masterpiece: Trout Mask Replica, 1969. Accounts of the bizarre and traumatic circumstances of the recording of this album are legendary. (Fast and Bulbous... Tapered, too.)

Trout Mask Replica, 1969, album cover
I never saw Captain Beefheart perform, but I treasure seeing 'Captain Beefheart's Magic Band' (that is, without the Captain) at the Carling Academy in Bristol in 2004. The Magic Band, in this instance, were Mark 'Rockette Morton' Boston and John 'Drumbo' French (both contributors to Trout Mask Replica) plus Gary 'Mantis' Lucas and Denny 'Feelers Rebo' Walley (both contributors to later albums).
In 1982 Van Vliet retired from music to devote himself to painting.

Don Van Vliet, Rolled Roots Gnarled Like Rakers, 1985 (Michael Werner Gallery)
Read obituaries and appreciations by, Caroline Boucher, Alexis Petridis, Sean O'Hagan. See also The Captain Beefheart Radar Station.

Tacita Dean - Turbine Hall commission

I am very excited to learn that Tacita Dean, one of my favourite artists, has been given the daunting challenge of taking on the Tate Modern’s Turbine Hall installation, next year (to be unveiled 11^th October, 2011).

Tacita Dean (photo: Frith Street Gallery)

Dean has worked in a variety of media – drawing, sound, found objects, photographs - but is, perhaps, best known for her 16mm films – Laura Cumming, reviewing Dean’s recent Craneway Event (a film of Merce Cunningham rehearsing his dancers in a disused Ford assembly plant in San Francisco) called her the great poet of art film.

Brian Dillon, writing in Tate Etc identifies Dean’s characteristic attraction to objects that speak of a future that never came: Such structures seem to bypass the present, setting up instead a strange relay between past and future, between utopia and nostalgia.

Dean’s poetic meditations include: Fernsehturm, the revolving restaurant at the top of Berlin’s television tower; Sound Mirrors: the spooky 1930s pre-radar, concrete listening devices in Kent; Bubble House, the abandoned futuristic house in the Cayman Islands - discovered by Dean when researching material for another work, Teignmouth Electron, the bizarre story of Donald Crowhurst, the hopelessly ill-prepared lone yachtsman who entered the 1969 round-the-world race, faked his logbooks and disappeared.

Tacita Dean: (top) still from Bubble House, 1999 (16mm colour film, 7 mins.); (bottom) still from Sound Mirrors, 1999 (16mm black and white film, 7 mins.)

Dean’s films are typically slow, and elegiac, the static camera’s gaze lingering on her subjects; it will be interesting to see what she does in the vast space of the Turbine Hall.

Tacita Dean is represented by Frith Street Gallery

Selected bibliography

Cumming, Laura (2001) "It's All Done with Sound Mirrors", The Observer, 4th March

Dean. Tacita (2005) Berlin Works, London: Tate St Ives

Dean, Tacita (1999) Teignmouth Electron, London: Book Works

Dean, Tacita and Millar, Jeremy (2005) Place, London: Thames & Hudson

Dillon, Brian (2005) "The History of Future Technology", Tate Etc, Issue 5, Autumn

Searle, Adrian (2001) "Age and Beauty", The Guardian, 20th February

Exhibition Roundup - December 2010

An occasional, and highly selective, pick of current and forthcoming exhibitions.

Len Lye, still from Colour Box, 1935

The Ikon Gallery is presenting the first ever UK retrospective of Len Lye (1901-1980). Lye is best known for his extraordinary hand-painted films made in the 1930s in the UK and in the 1950s in New York. Astonishingly, his early ground-breaking avant-garde films were sponsored by the General Post Office through the work of the GPO Film Unit. (In fact, the GPO Film Unit, under the leadership of John Grierson, was a major sponsor of innovative and experimental film-making). Watch Colour Box (1935) and other films on YouTube.

The Ikon exhibition, which includes Lye's film, painting, sculpture and drawing is on until 13th February, 2011. Read Laura Cumming's review.

More colourful abstraction can be seen at the National Gallery, where Bridget Riley is showing Paintings and Related Work until 22nd May, 2011. See reviews by Adrian Searle and Laura Cumming.

Bridget Riley, Red with Red, 2007

The Lisson Gallery is showing a pair of abstract painters: the recently 'discovered' Cuban, Carmen Herrera and British, Stroud based, painter Peter Joseph. Herrera, born in 1915 has been developing her abstract style since the 1940s but only sold her first painting in 2004 at the age of 89. Read Laura Cumming's review of Herrera's exhibition at the Ikon Gallery, last year.

Carmen Herrera, Blue with Orange, 1984

Peter Joseph, an admirer of Rothko and Newman, employs a methodology associated with Renaissance painters to produce precisely toned two-colour canvases.

Peter Joseph, Turquoise and Grey, 2006

Also at The Lisson Gallery is an exhibition by Ceal Floyer whose multimedia works combine conceptualism and minimalism. The current show includes "Things" which is described on the Lisson Gallery website, as follows: A cluster of plinths stand in an empty room each emitting at different intervals in real time the word "things”, the only audible section from otherwise silenced pop songs. However, apart from the plinths themselves, no ‘things’ are present in the room.

Ceal Floyer, Things, 2009

Victoria Miro is presenting a rare show of the work of Francesca Woodman. Woodman died at the age of 22 in 1981, but left a substantial portfolio of work exploring the self and the body. See Sean O'Hagan's review. The exhibition continues until 22nd January.

Francesca Woodman, Untitled, Rome, Italy, 1977-1978

The Serpentine Gallery is presenting multimedia work by the Algerian, Philippe Parreno. The Serpentine describes the installation as a scripted space in which a series of events unfolds. In his enthusiastic review Adrian Searle describes his journey through the 4 short film and video works which comprise the exhibition. See also review by Laura Cumming.

Philippe Parreno, still from Invisible Boy, 2010

Most of the exhibitions listed in the November Roundup will run through December - see below, for details.

Longstone + The Land of Nod - Xposed Club, 10th December

Poster by Mark Unsworth
Longstone, the experimental electronica duo, Mike Cross and Mike Ward, are making a welcome return to Xposed Club with a performance on Friday, 10th December. Listen to a sample of their wonderful 2009 album, Kabuki, at MySpace.
["electronic circuit bending drum programming analogue modular slide guitarring oscillatory low pass filtering junk percussion sax blowing voltage controlled glacial funk"]
The Land of Nod (another duo - Anthony Walker and David Battersby) will also be playing. This will be their first live gig for five years, when they headlined the John Peel night in Cheltenham. (In 2003 they recorded a session for John Peel’s Radio 1 show.)
Xposed Club: in the atrium, Pittville Studios, Cheltenham on Friday 10th December. £5.00 (£3.00 concs.) on the door, starts 8.00pm.

Deutsche Börse Photography Prize - shortlist

The shortlisted artists for the 2011 Deutsche Börse Photography Prize have been announced. They are:
Thomas Demand

Thomas Demand, Haltestelle, 2009

Roe Ethridge

Roe Ethridge, Thanksgiving, 1984, 2009

Jim Goldberg

Jim Goldberg, Democratic Republic of Congo, 2008

Elad Lassry

Elad Lassry, Lipstick, 2009

The artists' work will be exhibited at Ambika P3, University of Westminster, 2nd - 30th April, 2011, and the winner will be announced on the 26th April.
Read Sean O'Hagan's article, Do the Deutsche Börse Photography prize jury really get photography? His title references an article by Paul Graham in American Suburb X: Photography & Culture, in which he remarks that there [is] a sizeable part of the art world that simply does not get photography.