John Chamberlain, 1927 - 2011

John Chamberlain, Tambourinefrappe, 2010

John Chamberlain, the artist who made sculptures out of crushed cars, died on 21 December, 2011. Read obituaries in The Guardian, and in The New York Times.

Chamberlain found his material in 1957 when he made Shortstop from  2 car bumpers, run over repeatedly by another vehicle, and welded together. Although best known for the car junk work, Chamberlain also made work in diverse materials, including urethane foam, sheet metal and paper bags as well as making prints, paintings, photographs and films such as The Secret Life of Hernando Cortez (1968) featuring the Warhol superstars Taylor Mead and Ultra Violet. 

Common material is what an artist should use because it doesn't get in the way of doing an uncommon thing. (John Chamberlain quoted by Michael Auping in Ammann, J-C et al (1984) Art of Our Time: The Saatchi Collection, [Vol.] 2, London: Lund Humphries, p14.)

Read a statement by Chamberlain, made in in 1982, on the Chinati Foundation website, and watch a video of him making (or 'directing') work on the Gagosian Gallery website.
A comprehensive retrospective of Chamberlain's career will be presented at the  Guggenheim Museum in New York from 24 February to 13 May, 2012.

John Chamberlain, S, 1959

John Chamberlain, Superjuke, 2011

John Chamberlain, Dolores James, 1962

John Chamberlain, Untitled (Couch), 1990

John Chamberlain, Essex, 1960

John Chamberlain, Turm von Klythie, installation in Q205 shopping mall, Friedrichstadtpassagen, Berlin

Lygia Pape - Serpentine Gallery

Lygia Pape, Untitled, 1954-56

Lygia Pape (1927-2004), together with Lygia Clark, was a founding member of "Neoconcretismo" in Brazil in the 1950s; a later member was Hélio Oiticica. Neo-concretism was an interpretation of European geometric astraction, in particular the "Conrete Art" of Max Bill as exhibited in São Paolo in1950. Lygia Pape: Magntized Space at the Serpentine Gallery presents work from throughout Pape's career, including early drawings and poems from her Concrete period to her Neo-Concretist Livros and Caixas series, as well as ballets and performances such as Divisor and O ovo.The exhibition continues until 19 February, 2012. Read a review by Adrian Searle and watch his video introduction to the exhibition.

Lygia Pape, Livro do Tempo (Book of Time), 1961-63

Lygia Pape, Eat Me: Gluttony or Lust?, 1975 (still from film)

Lygia Pape, O Ovo (The Egg), 1967

Lygia Pape, Divisor (Divider), 1968

Lygia Pape, Tteia 1,C (Web),2008 (installation view at the Serpentine Gallery, 2011)