Castellani, Judd, Serra - Dominique Lévy

Frank Stella, Tetuan I, 1964

Local History: Castellani, Judd, Serra is at Dominique Lévy, London (and New York) until 17 January 2015.
How did I miss this? This exhibition opened on 13 October and I have only just picked up on it. An exhibition of early Stella and Judd (possibly my most favourite art of all time) alongside Enrico Castellani (who?). How did I not know about Castellani? I can't find him in any of my books about Minimalism or Judd - yet the press release for this exhibition asserts that Judd regarded [Castellani] as father of the style that came to be known as Minimalism. In fact he seems to be more readily contextualized in relation to Lucio Fontana and Piero Manzoni. Interesting.
Judging by the lists of works both shows look fabulous. 
Read a review by Roberta Smith.
The Stella above and the following works are included in the London exhibition:

Enrico Castellani, Superficie rossa, 1964

Donald Judd, Untitled (88-28 A/B Menziken), 1988

Donald Judd, Untitled, 1977

Frank Stella, Concentric Square, 1961

Frank Stella, Concentric Square, 1961

 The following works are included in the New York exhibition:

Frank Stella, East Broadway Sketch, 1958

Frank Stella, 5 Eldridge Street (Blue Horizon), 1958

Frank Stella, BAFT, 1965

Frank Stella, Ileana Sonnabend, 1963

Donald Judd, Untitled (DSS 41), 1963

Enrico Castellani, Superficie nera, 1959

Enrico Castellani, Superficie rigata bianca e blu, 1963

Jane Bown, 1925 - 2014

Jane Bown, Samuel Beckett, 1976

Jane Bown died on 21 December 2014.
Bown worked as a staff photographer on The Observer from 1949 - in the course of her work she encountered many remarkable people and made many remarkable portrait photographs. According to her obituarist, Bown was noted for being genereally uninterested in camera equipment. She began her professional career with a Rolleiflex but later moved onto an Olympus OM1 - she owned about a dozen Olympus cameras, all bought secondhand. She always worked with natural light and, apart from a brief spell in the 1960s, in black and white. Her simple and direct approach allowed her to work quickly and quietly and without fuss. Interestingly, although she apparently was meticulous in her checking of her equipment before an assignment (which she carried in a shopping bag) she did little or no research about her subjects and so would encounter them without preconceptions.
Below is a selection of my favourite examples of her work (great pictures, great subjects). Click on images to enlarge; see more pictures here and here.
Read obituaries by Luke Dodd and Eamonn McCabe and in The Telegraph; read also a profile by Luke Dodd and a collection of articles in The Guardian, including: The Lady Behind the Lens, The Eye Had It, Jane Bown Remembered, The Final Image.

Jane Bown, Postman and Postwoman Having a Picnic, 1966

Jane Bown, American Tourists in London, 1968

Jane Bown, W.H. Auden

Jane Bown, Henri Cartier-Bresson, 1957

Jane Bown, Sir John Betjeman, 1972

Jane Bown, Francis Bacon, 1985

Jane Bown, Orson Welles, 1951

Jane Bown, Lucian Freud, 1983

Jane Bown, Bridget Riley, 1989

Jane Bown, David Hockney, 1966

Footnote.
It is sad to note that Billie Whitelaw died on the same day as Jane Bown; if Bown's greatest picture is of Samuel Beckett (see top of post) it seems fitting to conclude with her picture of Whitelaw who was the greatest interpreter of Beckett. Read an obituary for Whitelaw.

Jane Bown, Billie Whitelaw, 1976