Charcoal Works - Hardwick Gallery, University of Gloucestershire

Magdalena Jetelová, Place, Forest of Dean, 1986-2015

Charcoal Works is at Hardwick Gallery, University of Gloucestershire until 22 April 2016.

This is a wonderful exhibition – beautiful in its conception and its execution.

The exhibition, curated by Onya McCausland, and the works produced especially for it, arose out of the decision to ‘de-commission’ Magdalena Jetelová’s extraordinary sculpture Place (better known as ‘The Giant’s Chair’) sited on a mound in the Forest of Dean. This much loved work has been in its commanding position overlooking the Cannop Valley for nearly 30 years – but part of its ‘rightness’ in this location is the fact that over time it has weathered and decayed and has a natural lifespan shared with the forest surrounding it. It was part of Jetelová’s original intention that the chair be burnt for making charcoal – a practice deeply embedded in the history of the Forest. And so it was that in October 2015, witnessed by Jetelová herself, the chair was dismantled and the wood built into a clamp – the wood is stacked and buried under an earthed mound around a chimney: burning fuel is introduced through the chimney and the wood burns slowly for several days transforming into charcoal in the process.

The inspired decision to appoint Onya McCausland to create new work out of the charcoal remains of the chair and for her to commission 16 artists to make artworks using the charcoal has resulted in this exhibition. In addition to McCausaland herself the artists are: Edward Allington, Sophie Bouvier Auslander, Jess Bryant, ‘Rocket Child’ (Marcin Gawin & Malgorzata Lucyna Zajac), Joy Gregory, Tess Jaray, James Keith, Sam Llewellyn- Jones, Lisa Milroy, Jayne Parker, Lotte Scott, Joy Sleeman, Andrew Stonyer, Kay Tabernacle and Jo Volley. (Click on images to enlarge.)

Sam Llewellyn-Jones installing Disclosure in Hardwick Gallery, 2016 (Photo by Sarah Bowden)

Edward Allington, Charcoal Needle, 2016

Sarah Bouvier Auslander, Brazil, 2016 (Charcoal on fired clay)

Onya McCausland, Charcoal Measure, 2016 (Triptych copper plate etching - charcoal ink)

Lotte Scott, Forest to Heath, 2016

Jayne Parker, Magnolia Bud, 2016

Charcoal Works - installation view

Watch a video A Sense of Place recounting the history of Jetelová’s ‘Chair’ and the decision to decommission it.

A new temporary work by Onya McCausland, Charcoal Measure, can be seen in the Forest of Dean: charcoal made from the de-commission of “Place” has been compressed into a series of black trenches, scored into the ground, tracing the locations of coal excavations 1000ft below. 

Onya McCausland, Charcoal Measure, 2016 (Photo by Gareth Bowden)

Onya McCausland, Charcoal Measure, 2016 (Photo by  David Broadbent)

Accompanying the exhibition Charcoal Works, a symposium, Deep Material Encounters, will be held at Clearwell Caves on Friday 15^th April 2016. See here for details.

Strange and Familiar - Barbican Art Gallery

Bruce Gilden, London, 2011-13 (installation in Strange and Familiar)

Strange and Familiar: Britain as Revealed by International Photographers is at Barbican Art Gallery until 19 June 2016.
Robert Frank’s book The Americans is rightly regarded as one of the masterpieces of C20 photography. It was controversial on its initial reception in the United States, in 1959, both for its relaxed, subjective style of photography and because it presented an uncomfortably honest picture of 1950s America.
The freshness of Frank’s perception of America is typically, in part, ascribed to his status as an outsider: a Swiss immigrant seeing the country without prejudice. Frank never did a book called 'The British', but had he done so it would have featured some of the pictures included in Strange and Familiar.
This exhibition, curated by Martin Parr, presents views of Britain as seen through the lenses of photographers from other countries, from the 1930s to today. There are few, perhaps, who can match Frank's effortless style, but the mix delivers facinating insights into the British character alongside nostalgia and the occasional, inevitable stereotype.
Read reviews by Mark Hudson, Ben Luke, Andrew Dickson, Eliza Williams, and an article by Ian Jack; see a complete list of exhibits with introductions to the photographers.
(Click on images to enlarge.)

Henri Cartier-Bresson, Coronation of King George VI, London, 1937

Robert Frank, City of London, 1951

Cas Oorthuys, London, 1953

Sergio Larrain, Baker Street Underground Station, 1958-9

Cas Oorthuys, Oxford students 1962

Frank Habicht, Time, Gentleman, please! City of London, 1960s

Bruce Davidson, Wales, 1965.

Candida Hofer, Liverpool IX, 1968

Akihiko Okamura, Northern Ireland, 1970s

Evelyn Hofer, Bus conductress and postman, London, 1977

Shinro Ohtake, from the series UK77, 1977–1978.

Raymond Depardon, Glasgow, 1980 

Bruce Gilden, London, 2011-13