An occasional, and highly selective, pick of current and forthcoming exhibitions.
Klara Lidén, Self Portrait with the Keys to the City 2005 (See Serpentine, below)
The
Liverpool Biennial continues through to 28th November. The theme is ‘Touched’, embracing the meanings both of physical contact and emotional effect. This is explored through a wide range of installations, events, talks and exhibitions (see
website for full programme and map).
Adrian Searle's review picks out the film work of
Ryan Trecartin showing at 52 Renshaw Street as the highlight. The ‘Touched’ exhibition at
Tate Liverpool features performance and interactivity in a show including: Magdalena Abakanowicz (Poland), Alfredo and Isabel Aquilizan (Philippines), Nina Canell (Sweden), Wannes Goetschalckx (Belgium), Diango Hernández (Cuba), Jamie Isenstein (United States), Eva Kot’átková (Czech Republic), Otto Muehl (Austria), and Franz West (Austria). Concurrent with the Biennial in Liverpool are the
Bloomberg New Contemporaries 2010 at The Coach Shed (18th Sept – 13th November) and the
John Moores Painting Prize 2010 at the
Walker Art Gallery (18th Sept. – 3rd Jan. 2011). (And the £25,000 winner is...
Spectrum Jesus by
Keith Coventry, below.)
Keith Coventry, Spectrum Jesus, 2009
The
4th Brighton Photo Biennial, runs from 2nd October until 14th November and will feature a series of exhibitions,
New Documents, curated by
Martin Parr as well as a full programme of talks and events, see BPB website for details. Alongside
New Documents there will be an exhibition of
Robert Mapplethorpe’s work at
Towner in Eastbourne. (See Jonathan Jones:
Robert Mapplethorpe: Sexual Terrorist). Like the Diane Arbus exhibition at Nottingham Contemporary (ends 3rd October), this exhibition of more than 60 photographs by Mapplethorpe is one of the
Artist Rooms given to the nation by Anthony d’Offay.
Robert Mapplethorpe, Patti Smith, 1975
Rachel Whiteread, Untitled (Double Mattress Yellow), 1991
The Arts Council's quinquennial survey of British art,
British Art Show 7, begins its run on 23rd October in Nottingham, with shows at
Nottingham Contemporary,
Nottingham Castle Museum and
New Art Exchange. The exhibitions will be on until 9th January, 2011, after which they will tour to London, Glasgow and Plymouth. Subtitled
In the Days of the Comet, the show is intended as a pulse check on the state of British art today.
For a more commercial take on the state of contemporary art the
Frieze Art Fair (14th – 17th October) is the place to be.
Kitagawa Utamaro , Lovers in the upstairs room of a teahouse, from Poem of the Pillow, 1788
The
Serpentine presents the first major UK exhibition by Swedish artist
Klara Lidén. Working with installation, video and architectural intervention Lidén explores spaces for living. (See article by
Sam Thorne in
Frieze Magazine.)