Polly Staple, director of the Chisenhale Gallery in nearby
Mile End, remarks drily: "I work with a lot of women artists who aren't
interested in working vertically."
Read a (rather gushing) review by Jonathan Jones and watch a video of views about, of, and from, the tower.
Below is a fairly arbitrary anthology of (more or less) 'vertical statements', figurative and abstract, real and imagined.
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Vladimir Tatlin, Monument to the Third International, (Tatlin's Tower), 1917 - photomontage as envisioned in Petrogad (St Petersburg). The tower was planned to be 400 metres high but exists only as a model. |
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Gustave Eiffel, Eiffel Tower, Paris, 1889 - built as the entrance to the 1899 World's Fair; 320 metres high |
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Antony Gormley, Angel of the North, Gateshead, 1998; 20 metres high |
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The Spring Temple Buddha, Lushan County, Henan China, 2002; height (including pedestal) 208 metres |
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Frédéric Bartholdi, The Statue of Libertiy, New York Harbour, 1886; height (ground to torch) 93 metres.
|
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Heitor
da Silva Costa and Paul
Landowski, Christ the Redeemer, Rio de Janeiro, 1931; height 39.6 metres. |
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Yevgeny Vuchetich and Nikolai Nikitin, The Motherland Calls, Volgograd, Russia, 1967; height 85 metres (from tip of sword to top of plinth) |
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R.M. Soedarsono, National Monument, Jakarta, Indonesia, 1975; height 132 metres |
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Trajan's Column, Rome, 113 AD; height 35 Metres |
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Genghis Khan Equestrian Statue, Tsonjin Boldog nr Ulan Bator, Mongolia, 2007; height 40 Metres |
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Mark Wallinger, Ebbsfleet Landmark proposal: height 50 metres |
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Minaret at the Great Mosque of Samarra, Iraq, 851 AD; height 52 Metres |
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