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Peter Halley, Prison with Yellow Background, 1984 |
The Saatchi Gallery’s new show is a large
scale encounter between British and
American ‘Post Pop’ and Oriental artists from China, Taiwan and the former Soviet Union, who
have adapted something of the flavour and attitude of Western Pop to their own cultural contexts. Clearly, such a large show (more
than 100 artists) will produce mixed results. However, it is refreshing and
instructive to be confronted with a broadly familiar visual language inflected with different accents and a different sensibility.
I realize that the point of such an
exercise is to mix things up – however, I found that I could better get a
handle on the content and the cultural contrasts by separating out East and
West. So, I have selected my parallel top 10 exhibits – albeit selected from
reproductions rather than an encounter in the exhibition itself. This is Part 2: West. (Click here for Part 1: East.)
(NB artists are listed in alphabetical
order; click on images to enlarge.)
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Mike Bidlo, Not Warhol (Brillo Soap Pads Box Pasadena Type, 1969), 1991 |
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Glenn Brown, Reproduction, 2014 |
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Michael Craig-Martin, Untitled (High Heel), 2014 |
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Gary Hume, Four Coloured Doors I, 1989-90 |
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Clay Ketter, Suckerpunch Motel Wall, 2001 |
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David Mach, M & M (Mao from Mao & Marilyn), 2014 |
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Lisa Milroy, Shoes, 1990 |
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Julian Opie, This is Shahnoza, 46, 2007 |
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Richard Woods, Nature Making, 2014 |
(Click
here for Part 1: East)
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