Jeff Koons, Balloon Swan |
Jeff Koons: Now is at
Newport Street Gallery until 16 October 2016.
I like Jeff Koons. I shouldn’t really, but I do. Some of his work is horrible – Titi, for example (below); this is so kitsch that it makes you wonder what civilization has come to. Yet, even in its grotesqueness it exerts a sort of guilty, ironic pleasure.
I like Jeff Koons. I shouldn’t really, but I do. Some of his work is horrible – Titi, for example (below); this is so kitsch that it makes you wonder what civilization has come to. Yet, even in its grotesqueness it exerts a sort of guilty, ironic pleasure.
On the other hand, I have
seen a few of his ‘balloon’ pieces – Dog, Flower – and they are… just fabulous, beautiful, joyous. They are
ridiculous, to be sure, but wonderful in their immaculate, mirror-polished stainless steel, other-worldly,
strangeness. I am looking forward to seeing Balloon Swan in this show.
I first saw Koons' work
back in 1987 in Saatchi’s first (and best) gallery at Boundary Road in North
London; even then I was both repelled and delighted. Art student Damien Hirst
saw that exhibition too and was deeply impressed (see interview on Newsnight). Today, Hirst, in addition to being a star
artist in his own right not only has his own collection of Koons’ work, but his
own gallery as well: Newport Street Gallery. (It looks to me as if some of the
works from Saatchi’s collection have found their way into Hirst’s.) And what a
terrific gallery it is, too. The first exhibition was the utterly delightful
surprise of John Hoyland (see blog entry, below). Jeff Koons: Now is the second
show and a more predictable subject than Hoyland, but no less welcome for
that.
The exhibition amounts to
a selected survey of Koons’ career from early ‘inflatables’ of 1979 through the
wonderful vacuum cleaner pieces (The New) of the early 1980s, the basketball ‘Equilibium’
tanks, a model train whiskey decanter from the 'Luxury & Degradation' series (great
title!), a selection of the exuberantly pornographic ‘Made in Heaven’ pictures
of Koons and his former wife La Cicciolina, exploring their sexual love. (In
fact Koons has explained that pornography “has no interest for me. I’m
interested in love… I’m interested in the spiritual… I had to go to the depths
of my own sexuality, my own morality, to be able to remove guilt and shame from
myself. All of this has been removed for the viewer. So when the viewer sees it,
they are in the Realm of the Sacred Heart of Jesus.” (Muthesius, A. (1992) Jeff Koons, Taschen pp132/6) So, there
you have it. He talks a lot of nonsense, but can be puppyishly plausible. (You can
glimpse Exaltation (1991) from this
series behind Bowl with Eggs (Pink),
below.)
Read reviews/articles by Waldemar Januszczak, Fisun Güner,
Mark Hudson
and Jonathan Jones (he hated it: he says I am an idiot for looking at the vacuum cleaners, let alone liking them!); watch an interview (or love-in) with
Koons and Hirst on BBC Newsnight
(starts at 29 mins.); read an interview in the Evening Standard.
(Click on images to enlarge.)
(Click on images to enlarge.)
|
Jeff Koons, Three Ball 50/50 Tank (detail) |
Jeff Koons, Jim Beam - J.B. Turner Engine |
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