Showing posts with label Arnold -Eve. Show all posts
Showing posts with label Arnold -Eve. Show all posts

Sunday, 22 February 2015

Sotto Voce - Dominique Lévy

Ben Nicholson, 1936 (White Relief), 1936
Sotto Voce is at Dominique Lévy until 18 April 2015. 
Sotto Voce, the second exhibition at Dominique Lévy looks to be as aesthetically thrilling as the first (see below). All the pieces in this show are abstract white reliefs - exhibited on grey walls. Artists featured include: Jean Arp, Ben Nicholson, Lucio Fontana, Piero Manzoni, Enrico Castellani, Fausto Melotti, Günther Uecker, Luis Tomasello, Sergio Camargo and Mira Schendel.
Despite the seeming limitation of an exhibition consisting entirely of white monochromes, the works, which broadly span the period  from the 1930s to the 1970s, demonstrate a rich range of tone (from spiritual harmony to unsettling aggression) and aesthetic affiliation ranging from Surrealism (Arp), to Constructivism (Nicholson), to Spatialism and the Zero Group (Manzoni, Fontana, Uecker). 
Read articles by Sarah Kent, Wessie Du Toit and Natalia Rachlin.

Jean Arp, Composition schématique, 1943
Piero Manzoni, Achrome, 1958
Lucio Fontana, Concetto Spaziale - Attese, 1965
Lucio Fontana, Concetto Spaziale, 1964
Sergio Camargo, Untitled (288), 1970

Günther Uecker, Untitled, 1967

Günther Uecker, Wind, 2009
Dominique Lévy gallery - installation view of Sotto Voce

Thursday, 5 January 2012

Eve Arnold, 1912 - 2012

Eve Arnold, Bar girl in a brothel in the red light district, Havana, Cuba, 1954
Eve Arnold died on 4 January, 2012.
Arnold, the first woman member of Magnum, was best known for her portraits of both the famous (especially Marilyn Monroe) and the unknown as well as for photojournalist assignments from Harlem to China, and Russia to South Africa.

Asked by Sarah Brown of the BJP, how much power photojournalists actually have to change the things they see, Arnold [brought] her hand up to eye-level, a tiny gap between forefinger and thumb, "very little," she said. "You know in the beginning we thought we were going to change the world. I think people live in so much visual material these days, billions of photographs annually, that they grow numb after too much exposure. But it's hard. You see something and it's your profession and you want to do something about it." (Quoted from BJP obituary by Oliver Laurent)
Eve Arnold, Josephine Baker, 1950
Eve Arnold, Marilyn Monroe, 1955
Eve Arnold, Malcolm X, Chicago, 1961
Eve Arnold, Anthony Quinn and Anna Karina on the set of Guy Green's The Magus, Mallorca, 1976
Eve Arnold, Retired Woman, China, 1979