Carol Bove, Untitled, 2014 (detail) Peacock feathers on linen |
New York sculptor Carol Bove is a new name to me, but images of her shows at David Zwirner and HMI look impressive. The work has a Minimalist, formalist appearance but uses a wide range of materials - including wood, steel, concrete, brass and... peacock feathers! - and assumes an equally wide variety of forms. She evidently takes particular care over the relationships of the individual pieces in the gallery installation. In the Leeds show her work is shown alongside furniture, sculpture and architectural models by Carlo Scarpa (1906-78). According to HMI's exhibition text, both artists are bound by concerns for the object and its environment, the nature of encountering sculpture and the ways by which objects are given meaning.
Read a review by Adrian Searle; read Carol Bove's guide to being an artist!
Works at David Zwirner
(Click on images to enlarge)
Carol Bove, Lingam, 2015 Petrified wood and steel |
Carol Bove, I, quartz pyx, who fling muck beds., 2015 Concrete and brass |
Carol Bove, Noodle, 2015 Stainless steel and urethane paint |
Carol Bove, Self Talk, 2015 Stainless steel and urethane paint |
Carol Bove, Cow, Watched by Argus, 2013 Steel |
Carol Bove, Open Screen, 2014 Steel |
Carol Bove, The Plastic Unit, installation view |
Carol Bove, The Plastic Unit, installation view |
Works at Henry Moore Institute
Carol Bove, Hysteron, Proteron, 2014 Brass and concrete |
Carol Bove, Heraclitus, 2014 Seashell, feather, found objects, steel and concrete |
Carol Bove / Carlo Scarpa installation view |
Carol Bove / Carlo Scarpa installation view |
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