Sunday, 25 October 2015

John Hoyland - Newport Street Gallery

John Hoyland, Advance Town 29.3.80, 1989
John Hoyland: Power Stations: Paintings 1964-1982 is at Newport Street Gallery until 3 April 2016.
When it was announced that Damien Hirst was developing a gallery to exhibit his collection, who would have guessed that it would open with a show dedicated to John Hoyland? Not me, for one – but so it has, and what a delight it is. The gallery is fabulous and the show is a knockout.
Hoyland (1934-2011) was a major figure in British abstract painting and this exhibition includes work made at the height of his powers. Hoyland and his peers were, perhaps, never fashionable: British abstract painting was at its most vital when American Abstract Expressionism had been displaced as the last word in avant-gardism by Pop, Minimalism and Conceptual Art; as a result the work effectively went underground and  Hoyland and others have not generally won the attention and respect they deserved.
This exhibition is thus both a pleasure in itself and a valuable opportunity to rediscover a great painter.
My favourites here are the early large-scale pieces dominated by reds, oranges and greys and the later works keyed to blue; personally I find some of those featuring a rather sharp and acid green a little ‘difficult’ and the gold and pink ‘experiments’ of the early 1970s lacking in both the cool, solid structure and the intense colour of the best work.
The gallery, designed by Caruso St John, has been developed out of former warehouses and presents a beautiful sequence of large exhibition spaces over two floors connected by beautifully finished and detailed spiral staircases. Hirst is on record saying how impressed he was when, as a student, he visited Charles Saatchi’s original gallery at Boundary Road, in St John’s Wood (1985-2003); I, too, recall that gallery as a revelation: in the 1980s there was nothing like it in the UK either for the scale on which it displayed the likes of Judd, Kiefer, Serra, Twombly, Warhol and others, nor simply for the literally dazzling huge white spaces it presented.  Whether it is inspired or not by Boundary Road Hirst’s Newport Street Gallery is a wonderful addition to London’s art scene.
Watch a short video of a conversation between Damien Hirst and Tim Marlow about the Hoyland show and featuring some views of the gallery spaces; read exhibition reviews by Waldemar JanuszczakMark Hudson, Emyr Williams and John Bunker (Abcrit); read an architectural review of the gallery by Oliver Wainwright; don't bother to read a grumpy Jonathan Jones dismissing Hoyland as 'second-rate'! 
John Hoyland, 29.12.66, 1966
John Hoyland, 9.11.68, 1968
Installation view of 9.11.68, 1968
John Hoyland
John Hoyland (detail of painting above)
John Hoyland
Installation view

Caruso St John (architect) Newport Street Gallery, 2015
Caruso St John (architect) Newport Street Gallery, 2015 - detail of staircase

1 comment:

  1. Thanks dear for these details regarding john hoyland Newport street-gallery. I just loved watching these photos. An art gallery event was also organized at a domestic event space NYC. My mom was so interested in the event so I took her to see the art work there. She was so happy to be there.

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