|Yoko Ono, still from Film No. 4 [Bottoms], 1966 (Watch the film here)|
Ono was associated with the Fluxus Group in the 1960s: a loose, international collective founded by George Maciunas taking its cues principally from Marcel Duchamp and John Cage. The optimistic aims of Fluxus were, according to Joseph Beuys, to purge the world of bourgeois sickness... of dead art, to promote a revolutionary flood and tide in art, promote living art, anti-art, promote non art reality, and to fuse the cadres of cultural, social and political revolutionaries into united front and action. (Walker, J.A. (1973) Glossary of Art, Architecture & Design, p94)
Ono's most celebrated work is, probably, Cut Piece (1965) a performance in which Ono knelt on the floor with a pair of scissors at her side: the audience was invited to cut off pieces of her clothing. Ono remained unflinching until there was no more to cut away.
|Yoko Ono, Cut Piece, Carnegie Hall, 21 March 1965 (Watch a film of the perfomance here)|